Despite My Clashes With Iyabo Ojo, I Have Nothing Against Her Daughter – Lizzy Anjorin

Nollywood actress, Lizzy Anjorin has come out to react to reports that she is jealous of Priscilla Ojo’s grand wedding. She recently had her say via her social media page, and fans have been reacting.

According to her, despite her public issues with her mother, she really has nothing against Priscilla, especially because she is a beautiful and focused lady who constantly stays in her lane.

Lizzy added that the reason Priscilla’s wedding ceremony lacked any negative comments is because she is very unproblematic.

Her words, “”Let’s forget about the mother. Let’s face the daughter. who will ever hate such a wedding? who dares to hate such a wedding? do we want to talk about how focused that lady is? how determined she is? The happiness of every mother is to have a daughter that will work along with you regardless of who you are. whether you are a thief, a blackmailer, a destroyer or rich as a mother, every mother prays for a child that always thinks along with the mother.

I have said it that because you are destroying me does not mean I am going to destroy you in return. You guys are trying to destroy me but instead God is using you to promote me.

Who will hate such a wedding? a wedding that they did not tell us any negative thing about the wife or the husband or about the mother in-law or the father in-law? So tell me what you want to hate about that wedding? If we are talking about the wife, she has been on her own, been a very beautiful girl.. she has maintained her lane.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.