Nollywood Tried To Limit Me To Side Chick Roles – Bolaji Ogunmola

Nollywood actress Bolaji Ogunmola has spoken candidly about her early struggles in the industry. She recently had her say during an interview with media personality JayOnAir, and fans have been reacting.

Recalling how she was often typecast and boxed into limited characters, Bolaji shared how industry perceptions around skin tone and body type led to her constantly getting side chick roles.

On long-term planning and financial discipline, the moviestar emphasized the importance of diversification and positioning in an unpredictable industry.

His words, “It was almost like they wanted to put me in a box. I am dark-skinned. There was a time when light-skinned people were reigning, and they told me I was very curvy and tried to limit me to ‘side chick’ roles. That went on for a while, and I didn’t like it.

My journey has been crazy, but I have just kept at it.

I just wanted my life to have meaning at that time. I am not somebody who likes to sit at home; I wanted to do something. I never wanted to do 9–5. I will not do 9–5—it’s not just me. Shoutout to people who do it, I applaud you. But for me, I am business-savvy like that.

Life is in phases. You are popular today, you may not be tomorrow. What are you doing to put food on the table? You should be investing, positioning yourself from now. I have always been that kind of person, so I always have something else I am doing.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.