Nollywood actor Yomi Fabiyi has written an open letter to Afrobeats singer Wizkid. This comes after the “Ojuelegba” crooner downplayed Fela Kuti’s legacy, and fans have been reacting.
According to him, Wizkid should learn to manage the current storm better and not be tempted to erase the image he tattooed on his body.
Yomi added that Wiz must keep celebrating the legendary musician and walking the path of honour and peace.
His words, “Dear Wizzy,
Please don’t be tempted to erase Fela’s image you tattooed. Manage this storm very well, mate. You unarguably represent a revolution/history in Nigeria and Afrobeat music.
Yes, aside from the fact that Late Legend, Fela, enjoys pioneer status, he represents a revolution, and his impact is felt in giving voice to the voiceless, fighting corruption, making sacrifices, and, indeed, in the democracy we now enjoy. His music is a movement.
You have acknowledged and celebrated Fela more than millions of us have. For a musician of your status to have graced several Felabrations means you have ensured you sustain Fela’s legacy. For a global music legend like you to have him tattooed on your skin and for you to speak highly of him in a recent documentary, etc., we understand your genuine opinion, and the situation should have been handled better.
Continue celebrating Fela and walk the path of honour and peace. You are a BIG STAR, a living legend, and a national asset, and we hold Legendary Fela Anikulapo and Ayo Balogun in high esteem. I can’t trade you both for anything. I don’t compare because comparison proves nothing.
May you live long and fulfil more dreams. Greater you, Wizzy.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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