Nollywood actor Taofeek Salami has opened up about the most painful experience of his life. He recently had his say during an interview on the African A List podcast, and fans have been reacting.
Lamenting how he found out that 2 of his kids weren’t his, the moviestar shared that the controversy led to a family dispute with his late wife.

Taofeek added that the heart-wrenching confession was made during court proceedings that followed their disagreement.
His words, “The only person that did the most painful thing to me in life is my wife. The incident brought tears from my eyes. She’s late now, may God forgive her.
I went to a location about five years ago, and I didn’t meet her at home when I returned. As at the time, she was nine months pregnant with our fifth child. I was unable to reach her on the phone to know her whereabouts until two days later when her number went through. After getting in touch with her she refused to tell me her whereabouts.
It was when I visited her mother’s house to complain that I realised she had done an introduction with another man who is already married with four kids. After seeing the photo frame, I called to abuse her. That was when she returned to the house to abuse me and asked who told me that I’m the owner of the pregnancy.
She gave birth a few days later and requested to do the naming ceremony in my house after she had openly said the baby is not mine. That was when I got angry and arrested her alongside the man and his friend that came to beg me.
Following my refusal to allow the naming to take place at my compound, she took me to court for the dissolution of our marriage. It was in the court that she confessed that the third and the last child were not mine. She has been going out with the man for many years. She died last year from depression after the man she left me for later abandoned her to face his family because he is already married with four children before the incident. He is from Ijebu in Ogun State.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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