“Online Begging Is Your Karma” – Mr Ibu’s First Wife To Stella Marris

Mr Ibu’s alleged first wife has blasted the late actor’s widow, Stella Marris, amid the ongoing property scandal. She recently had her say via a viral video on social media, and Nigerians have been reacting.

Accusing Stella Marris of mismanaging funds and properties belonging to the late actor, she stressed that online begging is the beginning of Stella’s karma after Mr Ibu‘s death.

The alleged first wife added that Marris sold the late actor’s Enugu land for N18M and kept the money for herself and her kids.

Her words, “Stella, you arrested my son and Jasmine, the people who were taking care of our late husband, because of the money Nigerians donated.

Later, they were released, but our husband eventually died. Yet you never stopped there. You sold the land in Enugu for about 18 million without telling anybody, and you shared it with your children.

After the burial of our husband, Stella, you and your gang took away all the money. You left the village with everything. Karma is real, and it is coming after you.

Every time you present your children as the only Mr Ibu’s children. What about Amara, Verintan, Onyebuchi, the twins in Port Harcourt? Are they not my husband’s children?

The man who made you what you are today is gone, yet you don’t want to give him peace in the grave. Keep begging on social media, but karma must surely come.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.