Nollywood actress Angela Okorie has come out to say that it’ll be wrong for her to respond to Regina Daniels’ insults. She recently had her say via her social media page, and fans have been reacting.
According to her, she considers Regina a child who shouldn’t be dignified with any response at all, and it won’t be right to be seen trading words with a toddler.

Angela added that the more she tries to avoid spilling the secret of her detractors, the more they push her.
Her words, “All this people saying I should reply, I no fit abeg, e just be like say me and my pikin Dey quarrel.
Abeg make una rest. Regi is a baby and I won’t go that lane of dragging her. Common, she is a baby. I don’t feel right replying someone I once called my child. God forbid. Bye pls.
Becos of your ancestors husband smell you won drag me make we follow you Dey hear the smell. Na lie. Na only you marry the smell, na only you go enjoy am. Go rest 😂
Una Dey forget say MJ marry person husband? The woman came out and was shouting ‘tell MJ to leave my husband alone’, Nigerians una Dey forget things o 🤣🤣🤣🤣
Dat woman called my attention. Hmm make una leave me o, I no won talk. Make una rest o. Hmm I won sleep na. Chaiii 💔🥲🥲🥲”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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