Yul Edochie And Judy Austin’s Critics Must Stop Playing God – Shan George

Veteran Nollywood actress Shan George has called for a ceasefire from critics of Yul Edochie and Judy Austin’s marriage. This comes after the new revelations from Judy’s ex-husband, Mr Obasi, and fans have been reacting.

Arguing that the ceaseless attacks go against Christian values, the moviestar revealed that the couple’s thriving marriage thus far is proof of God‘s blessings.

Stressing that Nigerians should stop playing God in other people’s private lives, Shan urged critics to let go of the ceaseless attacks on the family.

Her words, “Do u Believe that GOD IS IN CONTROL? Do u hv Children? Do u kno tomorrow? Do u think u r wiser than GOD? Pls Ask urself these questions and deeply reason it.

First off, I’ve never met or spoken to Judy ever before in my life, so don’t get this twisted.(feel free to abuse me, na so dem been abuse and Kpai Jesus for preaching forgiveness and no Hate.)

If u r still at this point in time still dragging YUL & JUDY, after all these years, and 3 kids down. It means u r Playing God, or u hv another secret evul Agenda, Bcos that particular kind of Hate is what Jesus Christ spent years and died preaching about.

If u r still hating, being unforgiving, and u r still entering church. U hv no FEAR OF GOD. Read ur Bible.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.