Harry Kane will only break Robert Lewandowski’s Bundesliga scoring record at Bayern Munich if Vincent Kompany’s side loses to Real Madrid in the UCL, Dietmar Hamann has said. Recall that Kane has 31 goals in just 26 league games this season, and must hit 42 if he is to surpass Lewandowski’s record.
According to him, the Champions League offers a significant challenge to Kane‘s goalscoring ambition in the Bundesliga, so the striker’s minutes must be managed from now till the end of the season.

Hamann added that the England international should put the team first instead of chasing individual accolades.
His words, “Two years ago he had the record in front of him and wanted to break it. In Madrid he left with ten minutes left – when they were further away.
I think Bayern and Kane would do well to set this record in the storage room. Because it is important that they advance one round in the Champions League – and ideally one more and that they win the Champions League.
These personal records – that may be important for him – but it shouldn’t really matter. Team success is the focus. And as I said: He was back, then Stuttgart. He played at 35 degrees for 90 minutes and then went out in Madrid in the 80th three days later. Such a situation must not happen again.
Bayern is the team that is currently performing best in Europe. Not just because of two games, but actually over the entire year. That’s why Bayern is also the favourite against Real Madrid for me.
I believe Bayern can not only win the title, but even the treble this year. The chances are definitely there, and the quality in the team is excellent at both ends of the pitch.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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