Nollywood actress Habibat Jinad has shared her powerful vision for gospel singer Yinka Ayefele. She recently had her say via her Instagram page, and fans have been reacting.
According to her, she saw Yinka Ayefele walking by himself in her latest vision, and it was a shocking and beautiful moment for everyone around the world.

Admitting that the vision might not be about physical healing alone, she stressed that it is a reminder that God is still in the business of doing the impossible.
Her words, “Happy New Month, Good People 🙏🏾🥰❤️
This month shall be a golden month for us all 🙏🏾
Last night, I had a powerful vision that touched my heart deeply. In this vision, I saw Yinka Ayefele—a man known for his strength and resilience—walking again.
It was such a shocking and beautiful moment not just for him, but for the whole world. People were amazed, filled with wonder, and overwhelmed with joy. And in that moment, I found myself saying, What a wonderful God we serve.
This vision may not be about physical healing alone. To me, it is a reminder that God is still in the business of doing the impossible. It speaks of restoration, hope, and divine intervention in areas where we may have lost faith.
Sometimes, what looks permanent in our lives can be changed in an instant by God’s power. Situations that seem beyond repair can be restored. Strength can return. Joy can be renewed.
I share this not as news, but as a message of encouragement:
Never limit what God can do.
Whatever you may be going through, remember—miracles still happen. God can restore, heal, and surprise the world in ways we cannot imagine.
What a wonderful God we serve.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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