Nollywood actor, Timini Egbuson has come out to speak about the struggles of forming lasting connections in today’s world. He recently had his say during an interview on TVC, and fans have been reacting.
According to him, loneliness sometimes creeps in despite having success and stability because the fleeting nature of relationships can become unbearable at times.

Timini added that people are quick to leave relationships nowadays because we are in a woke generation now where there’s a lot of misinformation going on.
His words, “Sometimes, it does get lonely. Because you’ve got everything, and obviously, you’ve understood the power of the energy surrounding your space, so you’re not just going to let anybody in.
I am personally tired of temporary connections when you meet somebody and, after getting to know them, they leave. It gets tiring.
People are quick to leave relationships because we are in a woke generation now where there’s a lot of misinformation going on, on how a perfect relationship should be. Maybe your man is treating you right, then you go on TikTok and you see something like, ‘Seven Signs He Is Not Your Man’ and if it resonates with your reality a bit, you dump your relationship.
The nonchalant attitude of some men is because there are a lot of women accessible to them. You know, once you have money, you have a lot of options. And that is also because a lot of women have monetised dating.
Some men know that when they spend lavishly on a lady, she would think they are in love with her. But that is not love because he’s a billionaire, he can afford to do the same thing for hundreds of girls.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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