Nollywood actress Regina Daniels has come out to blast Angela Okorie for saying she married her grandfather. She recently urged her senior colleague to act her age, and fans have been reacting.
According to her, the old man she married is not a regular old man, and Angela is only pained because she cannot attract premium men like that.

Regina added that Angela has always been known to run after old men, so she shouldn’t come online to act like her relationship with Ned Nwoko is a crime.
Her words, “Aunty werey I married my old man but he is certainly not your regular old man. He is everything your kind prays for but can’t attract. Don’t get me started to tell the world how you were chasing this same old man.
Now let your age reflect your reasoning. Clearly you failed because a girl that once admired you when she was 6 sees you as nothing to write home about.
And for Christ sake stop comparing yourself to me!!! It will be a huge disrespect to me and everyone that supports my movement. You and I are not the same. Not even close. I am bigger than you and your entire music/movie career. Let’s not even mention my mama (Mercy Johnson) whose name rings the loudest bell. I don’t need scandals or shadows to shine.
Age? It’s just a number. What truly counts is how you’ve lived, what you’ve built, and who you’ve become. The roads I’ve walked, the milestones I’ve hit with grace, not disgrace are places your bitterness will never carry you.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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