Nollywood actress Sarah Martins has said that she would openly support Seyi Tinubu if he decides to run for political office. She recently had her say while responding to critics who labelled her Seyi’s political tool, and fans have been reacting.
Admitting that she would loudly campaign for Seyi Tinubu if he contests for any political position, Sarah noted that she’ll remain loyal to a man who has proven to value her existence.

The moviestar concluded by reminding everyone that her support is strictly for Seyi, not Bola Tinubu’s government.
Her words, “If SEYI TINUBU (@seyitinubu) comes out to contest for anything now or later, I will LOUDLY campaign for him!
You all bully me for being loyal to a man that saw value in me when each and everyone of you saw my humanity in service as clout chasing?
You see this una new title “political tool’ I accept it with my full chest only for Seyi Tinubu’s government not his father’s government!
I am BIG on loyalty, get used to it.
NOTICE: I am working towards getting a good truck for my charity outreach to enable me go to rural areas to feed vulnerable communities as my car is too small to accommodate my team and my cooking utensils for the movement. Kindly support this project if you can and remain blessed ”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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